black and white bed linen

MEHDI NABAVI

Artistry Journey

Mehdi Nabavi is a painter, sculptor, and installation artist who has participated in numerous solo and group exhibitions in art galleries, museums, and art fairs across the Middle East, Europe, and North America. Throughout his artistic journey, his works have continually explored a diverse range of materials and techniques, particularly through his innovative use of mirrors.

The artist's exploration of the mirror reveals a profound understanding of its visual and conceptual power. In his hands, the mirror transcends its role as a simple reflective surface, becoming a medium for interaction between the artwork and the viewer. It not only reflects the external world but invites the viewer to become part of the piece, merging the self with the artwork's meaning. This dynamic exchange challenges traditional artistic boundaries, where the artist does not merely depict but integrates the environment into the work.

For Nabavi, the mirror holds a deeper cultural and historical resonance, invoking the intricate beauty of traditional Iranian mirror work in religious and monumental architecture. The fusion of ancient artistic practices with contemporary techniques in his work creates a dialogue between past and present, imbuing each piece with layers of meaning that address the complexities of identity, history, and cultural heritage. This synthesis reflects a deep engagement with the evolving nature of art, where history is not a static reference point but a living, breathing part of the conversation.

In his collections, Nabavi tackles powerful and often conflicting themes—beauty and violence, identity and fame, and the continuity between past and present. These themes do not exist in isolation but are presented as interconnected elements that reflect and respond to one another. The reflective surfaces of his works serve as a metaphor for how culture and identity continuously shift in response to external influences, constantly evolving as they interact with time, context, and the people who engage with them.

The viewer is invited into an ongoing dialogue where the boundaries between the self, the artwork, and the surrounding world are fluid and constantly redefined. This engagement encourages a reconsideration of how we perceive our identities and histories, urging a deeper reflection on how the past and present shape our understanding of the self and society. Through his innovative use of mirrors, Nabavi challenges conventional notions of art, creating a space where reflection and meaning are in perpetual motion.

Biography

SOLO EXHIBITIONS:

2024 Geometric Perspective, Sholeh Abghari Art Gallery, Marbella, Spain

2024 Back to the Background, Capital Art London Gallery, London, UK

2022 Arta Gallery, Toronto, Canada

2021 One of us Gallery, Tehran, Iran

2020 Podium Zuidhaege, Assen, Netherlands

2017 Ariana Art Gallery, Tehran, Iran

2016 Negah Art Gallery, Tehran, Iran

2014 Naghshe Jahan, Tehran, Iran

2014 Henna Art Gallery, Tehran, Iran

2014 Aun Art Gallery, Tehran, Iran

2012 Azad Art Gallery, Tehran, Iran

2010 Mah Art Gallery, Tehran, Iran

GROUP EXHIBITIONS IN MUSEUMS:

2019 Rijks Museum, Amsterdam. Netherlands

2017 Salsali private Museum, Dubai, UAE

2015 Kunst Haus Rapperswil Museum, Zurich, Switzerland

2014 Tehran Museum of Contemporary Art

1997 Tehran Museum of Contemporary Art

GROUP EXHIBITIONS IN ART GALLERIES:

2024 Privet collection of Farah Diba, Fiap Jean Monnet, Paris, France

2024 Capital Art London Gallery, London, UK

2024 Katara Cultural Village, Doha, Qatar

2023 Back to the Future, Gallery Nikolas Flamel, Paris, Prance

2023 The Visible Tragedy, Online on Artsy

2021 Galerie Erga, Montreal, Canada

2020 Martini Plaza, Groningen, Netherlands

2017 Meeting Art Gallery, Atelier Natalia Gromicho, Lisbon, Portugal

2016 Etemad Art Gallery, Tehran, Iran

2015 National Library, Tehran, Iran

2014 Opera Gallery, Dubai, UAE

2014 AB Gallery, Emmenbruke, Switzerland

2014 Shirin Art Gallery, Tehran, Iran

2014 Gallery Nikolas Flamel, Paris, France

2013 Iranian Artists Forum, Tehran, Iran

2011 Azad Art Gallery, Tehran, Iran

Artistic Vision

Mehdi's work beautifully captures the essence of cultural heritage and identity.

Sarah Lee
A large installation of vertical panels displaying intricate Arabic calligraphy stands in an ornate, historical interior space. The panels are arranged in a fan-like structure with a chandelier above, casting light throughout the setting. The area is bordered by grand marble columns and decorative railings.
A large installation of vertical panels displaying intricate Arabic calligraphy stands in an ornate, historical interior space. The panels are arranged in a fan-like structure with a chandelier above, casting light throughout the setting. The area is bordered by grand marble columns and decorative railings.

New York

The depth of Mehdi's installations challenges perceptions and invites meaningful dialogue about art's role in society.

A modern interior space that features various ancient stone artifacts displayed on black platforms, with a detailed frieze and a headless statue among the pieces. Large vertical windows provide natural light, while a unique installation of hanging vertical rods decorates the ceiling. The overall ambiance is serene and contemplative.
A modern interior space that features various ancient stone artifacts displayed on black platforms, with a detailed frieze and a headless statue among the pieces. Large vertical windows provide natural light, while a unique installation of hanging vertical rods decorates the ceiling. The overall ambiance is serene and contemplative.
John Doe

Los Angeles

★★★★★
★★★★★